Notable Reads of 2010

Significant things I read in 2010 (a few more to be added):

1. Why We Love the Church by Kevin DeYoung and Ted Kluck
I really enjoyed this book. In the midst of postmodern dissatisfaction with church and organized religion, these two authors make a really good case for these things, and make an attempt to stir up affections for organized religion. Very encouraging read, and revived my excitement for church on Sundays, Monday night Shepherding Group etc.

2. The Pleasures of God by John Piper
Piper is becoming like an old friend to me as I read more and more of his books. I love the way he thinks through things, and it's really exciting for me to sit down with a Piper book and try to think along with him through Scripture and theology, and life. This book is another deep one by him, that leads you to think about very profound aspects of the person of God. Great stuff. Read the appendices too!

3. The Old Man and the Sea by Ernest Hemingway
It's my goal to eventually read a lot of Hemingway's books. This goal has been slow in the reaching, but every so often I get back to a Hemingway book. This was the first time I ever read this one, and I thoroughly enjoyed it.

4. Gulliver's Travels by Jonathan Swift
I love Swift's essay "A Modest Proposal," so I thought I'd love a novel by him. But I didn't. It really got on my nerves after a while, for reasons I can't completely explain. There were laughs to be had along the way, but overall I thought the story got pretty redundant among other things. Maybe I don't have the constitution for long, drawn-out satire...

5. Winesburg, Ohio by Sherwood Anderson
Collection of short stories, that influenced Ray Bradbury a ton. So I had to pick it up. Tones of sadness throughout, but a really unique treatment of human beings and their personal struggles. My dad was born and raised in a small Ohio town also, and I grew up listening to his stories; I suppose I have extra fondness for stories set in Ohio. I really liked this one, and I'm sure another reading would yield more goodness.

6. The Man Who Was Thursday by G.K. Chesterton
This one threw me for a loop. I don't know if I completely get all of what Chesterton is up to in this book, but I'd really like to get back to it again for at least one more read. It's a cool allegory for the problem of evil, among other things.

Handel's "Messiah" Reprise

Two years ago this December I posted a link to the "Messiah", by George Frederic Handel, on NPR's website. You can click the link to the player and listen to the whole piece - it's great!

The "Messiah" is one of the most amazing pieces of music I've ever heard, not to mention the quality of the lyrical content. It's an amazing work of art, that really helps bring my heart into an attitude of worship to God. The piece is loaded with incredible Gospel truth.

Go here, and let it play!

When we don't give thanks...

Tomorrow is Thanksgiving of 2010, and in an attempt to actually take traditions seriously, and develop a richness in celebrating holidays, I'm jotting down a few ponderings on Thanksgiving.

This year I've been struck by how many references I've noticed on TV, on blogs, etc., about Thanksgiving being an awkward holiday for families. For example, take Conan O'Brien, who says via Twitter,

Instead of making anyone travel for Thanksgiving, this year the O'Brien's will have tense, silent meal over Skype.

That's sad. Of course Conan means to be funny; but, his tweet is funny because so many American families lack richness and genuineness in their celebration of Thanksgiving (and Christmas, etc). Many do go on observing holidays with their loved ones because they're supposed to, even in the midst of turmoil. How many of us have pretended everything is OK while we sit down to a holiday mean with our families, when of course there are unresolved conflicts between some or all of us?

Interestingly, the Apostle Paul speaks to this very issue, in his letter to the Romans. In Romans 1:18-21 he says,

For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who by their unrighteousness suppress the truth. For what can be known about God is plain to them, because God has shown it to them. [...] So they are without excuse. For although they knew God, they did not honor him as God or give thanks to him, but they became futile in their thinking, and their foolish hearts were darkened (emphasis added).

Scripture seems to tell us, then, that God's wrath is revealed in this world, against those who fail to give thanks to God. Thanks for what? The text seems to imply thanksgiving for everything. God is the giver and sustainer of every blessing, and even when God takes away blessing, we have Him (which means we actually still have everything). Our miseries and troubles, Scripture seems to tell us, come because we don't actually give thanks to Whom it is due, which is especially clear in the lives of those who don't believe the Gospel.

So Thanksgiving, then, is a great time to be together as family, for the purpose of giving thanks to God for how richly He blesses us. We absolutely have reason for an attitude of thankfulness. And even if our lives are fraught with trouble, we can give thanks if we know God, because in His presence is "fullness of joy," and at His right hand "are pleasures forevermore" (Ps. 16:11).

Alice Dancing Under the Gallows

Watch this trailer for "Alice Dancing Under the Gallows."

This short film is really a trailer for what looks like a really compelling documentary coming out next year. It's about Alice Herz-Sommer, the oldest Holocaust survivor in the world. What looks to add an extra intriguing element to the film, is the music - Alice is an amazing pianist, and speaks quite a bit (even in the trailer) about the power of music. Needless to say, I'm looking forward to seeing this film.

Here are some things I found exceptionally compelling in the trailer:

1. Alice's thoughts about Beethoven. He has always been my favorite composer, and Alice expresses my own reasons why, in ways I don't think I could have. She says that Beethoven's music is so much more than melody - there's so much fullness in it that goes deeper than simple melody. She says his music is "intensive," and "phenomenal."

2. Alice's genuine love for people. Alice comments that she loves people: that she loves getting to know people, and loves hearing about people's lives. This was convicting for me - how much to I genuinely just love getting involved in the lives of people?

3. Alice's comment that music is god (with which I disagree). She says that music can give a person hope, can transport them away from a hopeless circumstance, can give life to a soul. However, I do agree with some of this - music is powerful, and I believe God created music to affect and stir our souls in some of these ways. Overall, what Alice says is a testament to how powerful music can be; though music is not god, God created it to powerfully stir our affections for Him.

4. The role that music played in the lives of those in the Nazi concentration camps. One of Alice's friends comments that in their hopeful attitude, that music fed, they were "dancing under the gallows." Music gave joy to them in the midst of the hopelessness, which leads me to think about the singing of a church. When we sing as the redeemed body of Christ, music can affect us this way. Our affections can be stirred with the hopeful truths of Scripture, and our hearts and minds can unite as we joyfully praise and worship our Savior through song.

Good Books: Criteria

I read this article today by Fred Sanders, a professor at Biola University. It's a pretty neat article, with some simple, but thought-provoking points on what makes a "good" book. I like reading articles like this from time to time, because they remind me why it's good and important to have a couple books going at any given time. Plus, the colder Fall/Winter weather makes for good book-reading time.

The article: "What makes a good book?"

Page CXVI

I love old hymns of the church, and I'm a big fan of learning and writing new arrangements to old hymns. I really believe, as C.S. Lewis talked about, that something is not better just because it's new. Many of the classic hymns express rich, sound Biblical truth in timeless ways, and I love that there is a recent trend in returning to some of our classic church music.

Page CXVI is a project by a group of musicians to rework some of the old hymns, infusing them into more contemporary arrangements. They give the hymns new, semi indie/rock and indi/folk sounds. Check them out - they do a pretty good job. They've also offered free downloads of their EPs a few different times. Good stuff.

Visit their website here to learn about the project, purchase their records, etc .

Part of the formula for good hymn writing:

I recently read this interview in Worship Leader Magazine (a publication I don't always agree with). This piece is particularly good, though; it's an interview with Keith Getty, co-writer (with Stuart Townend) of the modern hymn "In Christ Alone." It is funny to me that the article focuses on "In Christ Alone" (which I love, by the way), as if it's Getty's greatest achievement as a songwriter. He does, however, have several other very well-known works, written more recently than "In Christ Alone," and he has a pretty big body of really good work that almost totally goes unmentioned here. This makes the focus of some of the interview seem a bit dated if you're familiar with Getty's work at all. But Getty's comments are very timely and insightful, and transcend beyond the questions of Worship Leader Magazine.

The interview touches on Getty's mindset behind writing good, congregational worship music, and what continues to influences his creativity as a songwriter in this particular "genre" (if you can call hymns a genre). I found his thoughts really compelling and really encouraging. The following are three of my favorite quotes from the interview:

"My melodies tend to be heavily influenced by Irish music, and the Irish melodic style is essentially congregational. Although Irish music isn't particularly spectacular compared to say, African rhythm or to the unusual tones of Chinese music, or even the sophistication of much contemporary music, it has tremendous strength in its ability to be experienced and sung by large groups of people - whether in our homes, schools, or even at a sports match. It can be sung with or without instrumental accompaniment. I think the underlying sense of lilting pathos in Celtic melodies (which can also be heard in our speaking voices and is tied closely to our history) also helps the songs tell a story with all its raw emotion and passion. All Irish music centers on stories, whether of love or war or of people and places."

"I think it's of huge importance to us as worship leaders in preparation and in reviewing Sunday services to ask ourselves these two questions: What were the words we put into our congregations' mouths, minds, and memories? And how well did our congregation sing? Our role is simply to be an accompaniment to them as they sing."

"I also encourage lyricists to read beautiful poetry. Consider the fact that almost 20 percent of the story of Scripture is told through poetry. This speaks to the power of words. And to the enduring power of beauty. And perhaps most of all to the unending creative potential the story of the gospel releases in each of us."